After the death of her father, Jamuna (Aishwarya Rajesh) becomes a taxi driver. A mercenary team sets out to kill a politician (Naren). They call a call taxi as their car breaks down. Jamuna drives a taxi for them without knowing that they are mercenaries. At some point when the matter is exposed, the mercenaries who have framed Jamuna are counting. But the police mercenaries keep telling Jamuna to drive the taxi faster. He throws dirt in the eyes of the police and calls the mercenary force to the politician. In the next few seconds everything turns upside down. Jamunave tries to kill the politician in mercenary style. The climax gives a nice answer as to why Jamuna took such a decision.While Nayanthara and Trisha are emerging as lady superstars of Tamil cinema, it is not too much if Aishwarya Rajesh has become a junior lady superstar with this film.Aishwarya Rajesh shines as an inspiration to women who takes the keys of her father’s car in her hand to save her mother and younger brother who are going crazy after the loss of her father, who is a hell of a rental car and is loved by the people of the area where she lives.
Cinematographer Gokul Benai has shot the scenes of Chennai in the suburbs and inside the car very elegantly.
Gibaran’s background has added strength to the film.
The film is shot entirely in a car. It is commendable that only necessary scenes have been shot without dragging the film and an unexpected twist at the very end keeps the film interesting.
Although the first half goes a bit sluggish, what happens next? It’s great that the film is moved with the expectation.Director Kinslin has carried the film as briskly as possible in terms of screenplay and climax twist.
