The film begins with a robbery that takes place in Tirupati. Also, when Tamil Nadu was divided from the Andhra border, some parts of Tamil Nadu got trapped in Andhra Pradesh, and the situation of the Tamils ​​living there became very complicated. One of its effects becomes the lifeblood of the film. Here in Tamil Nadu, Samuthirakani is raising the boy who saved her life as a guardian. The boy, who is now an MLA in Vellore, has grown up to be Vishal and is his right-hand man.
Hari is adept at taking a film required for three parts and then editing it and condensing it into a single film. That is why his films take wing and fly wit full Tempo till end. The way he captures the stories and captures the line is amazing. That’s how it is in this film. Actress Priya Bhavani Shankar, who is appearing for NEET for the fourth time with a desire to become a doctor, is determined not to let a life pass before her eyes. So Priya thinks that if she sees murderous raiders, she should shoot them on sight. But that’s the kind of work Vishal, the hero, is doing… When Priya’s life is in danger unexpectedly or as expected, Vishal stands in the way and protects her.
Why should Vishal save the unknown Priya… Why did the Andhra raiders feel the need to kill Priya..? Is there any connection with the above Andhra-Tamil Nadu land issue..? All such questions are answered in the following screenplay.
It’s just that Hari’s films are action-packed, so if you get a fighter like Vishal, will you let him go? For half an hour a fight comes and goes. Vellore CMC is not enough if Vishal beats up Raoudi’s men in hospital.
But we can believe that Vishal is fit for all the action. Not only in action, but also in acting, especially in motherly affection.
This is a film where Vishal got good marks after Mark Antony. This film will be the beginning of the next round for Priya Bhavani Shankar, who has not shown her head in films for a while. In love with Vishal, but confused as to why Vishal doesn’t love her…Priya pretends to be content to clear it up. It has two roles
“If 60% of the people are bad people and 40% are good people, my job is to protect 40% of the people from this 60%…” said Samuthirakani, MLA who is a protector. Murali Sharma as the main villain is menacing. The sight itself is cruel. This role will be new for him in his career.
Harish Peradi and Muthukumar, who are becoming his right and left, are also threatening.
It is also incomprehensible why these cruel villains who threaten even the state minister in his house and say “I will kill you right here…” do not appear to do anything in Vishal’s scenes. Yogi Babu, who comes as Vishal’s friend, stirs things up. But when the serious scenes come, these comedic scenes are awkward.
YG Mahendran, Vijayakumar, Delhi Ganesh etc. come and go in small but important roles. Director Hari has created an innovation with Poonul Mati in Vishal’s film. Also, the scene where the Brahmins cut the villain to pieces under the statue of Muneeswaran is completely new to Tamil cinema. Whoever is handling the cinematography, Hari will take them under his spell, swinging around the camera and beating them. The same has happened to Sukumar, the cinematographer of this film.
He can play music to the extent that he breaks all the DSP instruments. Moreover, this is Hari’s film..? This climactic fight would have been the highest-grossing DSP in its history,They usually say don’t miss the first half hour of movies. But the last half hour of this film is not to be missed – it is very fast paced.
Even Gautham Menon, who comes as an IAS officer appointed by the two state governments to pacify the two conflicting sides, suddenly sounds tense because of Hari’s film. Hari’s power to fabricate such a story based on numerous branch stories in cinema is amazing…
Likewise, the trust he has in his fans is incredible. He continues to tell the story one after the other without making any announcement of ’25 years ago…’ without showing any difference between the present day and the flashback. His idea is that the fans will catch it correctly.
