Review of the Movie 'Kooran'
Directed by S.A. Chandrasekhar, featuring Y.G. Mahendran, Saravanan Subbaiya, Sathyan, Balaji ShaktiVel, George Maryan, Kavitha Bharathi, Indraja Robo Shankar, and others.
The screenplay and dialogues were written by S.A. Chandrasekhar, and the film is directed by debutant director Nithin Vempathi. The cinematography is handled by Martin Thanraj, the music is composed by Siddharth Vippin, and the art direction is by Vanaraj. The editing is done by Maruthi under the supervision of P. Lenin. The film is produced by Vicky under the banner of Kana Productions in association with VPI Combines.
The title 'Kooran' translates to one with sharp intellect. This film centers around a dog, and the title signifies the sharp intellect of that dog.
The story begins with a retired judge, Y.G. Mahendran, narrating his life experiences in an interview. When asked about the most unforgettable case he judged, he recalls a case where a mother sought justice for her child, who was killed by a group of drunkards in a car accident. Initially, the interviewee assumes the story will be about a woman, but as the plot unfolds, we realize the mother in question is actually a dog named Jaanchi.
In Kodaikanal, Jaanchi, a dog, is seen walking down the street with her puppies when a gang of drunkards hit her with a car and drive off. The mother dog chases after the car, howling in distress, and eventually reaches a police station seeking justice. However, she is chased away there as well. The dog then seeks the help of lawyer S.A. Chandrasekhar, who notices the dog’s emotions despite its inability to speak. He understands the dog's pain and frustration and becomes determined to seek justice for her lost puppy.
S.A. Chandrasekhar, a renowned lawyer, decides to fight for the dog in court, despite having not practiced law for many years. He promises to bring justice for the dog’s tears and vows to identify the criminals who brutally killed her puppy. The story follows his legal battle and struggle to prove the criminals' guilt in court. Ultimately, the question arises: did this voiceless being, the dog, find justice?
Many films have centered around animals, often showing them as understanding human emotions. However, in 'Kooran,' humans respond to the dog's emotions and actions, making it stand out as a unique narrative.
As the story progresses, we begin to understand the dog's intelligence and why it is so wise. A flashback reveals that years ago, Jaanchi was a trained attack dog named Bhairava, known for its intelligence in hunting criminals. Despite her skills, Jaanchi's life is threatened, and to save her, Saravanan Subbaiya decides to send her into the wilderness. Jaanchi later finds her way to Kodaikanal, where she seeks justice for her dead puppy.
The first half of the film unfolds at a moderate pace, but the story gains momentum in the second half as the legal proceedings intensify, culminating in an engaging climax.
In his role as lawyer Dharma Raj, S.A. Chandrasekhar delivers an exceptional performance. His measured expressions, appropriate body language, dialogue delivery, and subtle expressions breathe life into his character. His portrayal in this film is undoubtedly one of his most notable performances. He can be expected to choose such roles in future films.
The courtroom sequences are reminiscent of old films where legal discussions and debates on punishment, law, and justice were depicted with intensity, much like the style of earlier films featuring S.A. Chandrasekhar.
In contrast, Kavitha Bharathi plays the father of the antagonist Ranjith Raj, who runs over the dog. Her role brings the necessary antagonist energy, with her sharp dialogues and provoking body language. Balaji ShaktiVel plays the lawyer defending the criminals, while George Maryan appears in an unexpected yet significant role. Sathyan plays the character who interprets the dog's bark.
Indraja Robo Shankar adds a distinct flavor to the film with her portrayal of the character who supports S.A. Chandrasekhar. The cast, without exception, delivers stellar performances that add depth to the film.
Notably, the film does not include any gratuitous scenes like glamour shots, fights, crass humor, or excessive bloodshed, which is a refreshing change.
The film also raises an important question: do human laws protect animals from cruelty? It highlights the sections of the Indian Penal Code, namely sections 428 and 429, which offer legal protection for animals. The film questions whether courts only accept visual evidence and whether emotions have a place in judicial proceedings.
S.A. Chandrasekhar’s contribution to the film is evident when we look at the legal nuances presented in the film, particularly around the issue of Extra Sensory Perception (ESP), explored through George Maryan’s character. The movie delves into ESP and its role in understanding the dog's barks, creating a turning point in the plot.
Set against the scenic backdrop of Kodaikanal and the lush hills, the visuals are calming and beautiful, thanks to Martin Thanraj’s impeccable cinematography.
The film’s editing by Maruthi and oversight by P. Lenin ensures a smooth narrative flow, while Siddharth Vippin’s music blends perfectly with the story’s mood. The background score enhances the emotional moments, and the songs are pleasant and don’t interrupt the flow of the film.
Overall, 'Kooran' sends out a valuable message: animals, like humans, have a right to live in this world. Humans should not harm them, and the film eloquently conveys this message in a civilized manner. It is indeed a rare and meaningful film that families can watch together.
In conclusion, 'Kooran' is a well-crafted film that conveys a powerful message with its emotional and thoughtful storyline.
