In Naduvapatti Vetaiyan and Vengaiyan families are threatening the town. (Siddhi Itnani) Tamilselvi should marry only the son of their family and the reason is to steal Tamilselvi's property. But Tamilselvi is adamant that she will not marry anyone from the family that caused her brother's death. Muthuramalingam (Arya) named Kadar Basha comes in search of him. The Vengaiyan family arranges to kill him. Khadar mourns them. Who is Kadarpasha and what is his relation to the Tamil selvi leads to the climax of the Ramayana-like story.
It is difficult to remember who is who and what is their relationship in the film even after watching the film ten times, that is something only director Muthiah knows.Since the hero Arya has never acted in such a plot, he only does what the director has told him to do, i.e. if he means to hit with anger, if he means to cut, he will cut with a sickle, and if he means to cry, he has acted slightly disturbed.
Whether the relationships are memorable or not, Arya's sincere action is the highlight of the film. He comes across as an aggressive youth.
90% of Arya's costume is black shirt and black vest and there is no reason for that. He plays wildly in the dance scenes.Prabhu comes as a Muslim who speaks only of love and he gets angry that he doesn't leave anyone alive in the climax adds momentum to the climax.Director Muthiah, who has been trying to preach religious harmony, has said it to some extent. Naren shows Prabhu hitting him with a sandal and breaks the harmony that he had come to say. Heroine Siddhi Itnani's performance is eye-catching. She shows the courage to stand alone against the gang of rogues with an upright performance.The movie has a lot of villains, and in Vadivelu style, everyone is a bulk. The director has boldly said that women of their respective families are the masterminds behind the men's violence.
Even though the film is full of violent action, the police forces remain dummies. There is no room for hilarity as there is a dearth of comedy.
Vedikaranpatti S. Produced by Sakthivel music by GV Prakashkumar and cinematography by R. Velraj add strength to the film.
