Director Radha Mohan is a killer in telling love poetically. He has done the same in this film.
This time the hero heroines are joined by a textile shop Doll.Raja Kumaran (S.J. Surya), who is psychologically affected when someone kidnaps his childhood friend who was fond of him at a festival, gets treatment from a doctor after growing up, takes medication for depression, and works in a company that manufactures human dolls for textile stores, painting and beautifying female dolls.
Surya is surprised to see the girl doll with a mole on the lower part of her chin. Delighted that his childhood sweetheart Nandini (Priya Bhavani) has returned, he makes sure not to sell the doll. Surya returns to the town due to his own work. By then the supervisor sells the particular DOll. Surya beats the supervisor to death in anger. The matter goes to the police station
Meanwhile, Surya recognizes the Doll and finds the shop where it is located and gets a job there. Climax explains Surya's final decision as he runs away with the toy at one point. Although it is an unbelievable love story, it has to be seen like some unbelievable weirdness. The reason for that is the faith in director Radha Mohan.As soon as he saw Doll, who had a mole on the lower jaw of the doll in the textile shop, it was looks like girlfriend Priya Bhavani and talks to her in private, exchange love, decide to get married feels like a dream come true.
Suriya, who tolerates the manager's hatred of him on the pretext of changing the doll's dress, at one point beats him and lets him run in the street.When Surya and Priya decide to kiss and get married in a high place, Nila, surrounded by stars, we can guess how the climax is going to be.
Chandini comes and goes like a walking doll. Music by Yuvan Shankar Raja restores mellow tones. Richard M Nathan's colorful cinematography grabs attention.Radha Mohan gets the point across but his usual aesthetic is missing
